Today I’m sharing a new series that I started this spring – I call them Triptych Tiles and each one seeks to capture the essence of a mythological story or idea in three, four-inch tiles. Those who found me at any of my spring/summer shows (Farmington, Birmingham, Ann Arbor or Lansing) got a sneak peek at these as I experimented with various finishes, patinas and framing options. I have been overjoyed at the response they have received so far and both are now available in the Jivotica Gallery Shop.
FISHING FOR JORMUNGAND
This triptych captures the story of Thor as he fishes for the Midgard Serpent, Jormungand (Jörmungandr). Long before Captain Ahab set out to find Moby Dick, Thor was after something vastly larger, for the Midgard Serpent was so large it encircled all of Midgard and was a source of dread for the Aesir Gods themselves. With hammer held aloft, Thor waits for his nemisis to take the bait. When he does, Thor pulls on the line so hard that his feet break through the bottom of the boat. The struggle continues for a time but eventually, Thor is obliged to give up the chase. Although this encounter proves inconclusive, the two are destined to meet once more in combat at the great, world-ending battle of Ragnarok, during which each will die at the hands of the other.
The second triptych depicts the great world tree, Yggdrasil, and three of its more notable denizens. High in the canopy is Eagle (interestingly, the only important character in Norse mythology never to be identified with a proper name). Eagle represents the positive aspects of creation (the ordered cosmos). Beneath the tree is Nidhoggr (who’s name means “He who strikes with Malice”). He is a dragon who despises creation and is attempting to bring about its destruction by gnawing at the roots of Yggdrasil and drawing the cosmos back into chaos. Between them is Ratatosk the trickster – a squirrel who delights in running up and down the trunk of Yggdrasil, spreading gossip and insults between the Eagle above and the dragon below, ensuring that they will forever be at odds.
Each piece in the Triptych Tile series will be strictly limited to 50 signed & numbered castings in each of three finishes (in the case of these first two piece, the finishes are copper, brass and stone.) Each triptych comes beautifully mounted and framed, accompanied by a signed COA/story card that tells the tale upon which the art is based.
If you are interested in acquiring either of these triptychs, you can find them in the Jivotica Gallery Shop.
A SPECIAL NOTE: Although I will be devoting an entire blog entry to it next week, I would like to acknowledge that the photography for these pieces is the work of my dear friend, wonderful photographer and fellow creative spirit, Donna Kert, of Life in Focus Studio.